Tag Archives: Creative

What is a Poet? – #14SecondPoem Movement

15 Mar

Poetry in Motion

competition poster

What is a Poet?

#14SecondPoem Competition

Think, Shoot, Contribute!

Answer the question above to take part and open up a global discussion about the role of a Poet in Society. 

On Twitter

1) Shoot a 14-second poetry film in Black and White (shot with a plain white or black background)

2) Upload it to Youtube.

3) Tweet us to enter the competition, including @NajmaHush and the hashtags #14SecondPoem #WhatisaPoet?

E.g.: Hey @NajmaHush, here’s my contribution to the #14SecondPoem for #WhatisaPoet?  https://www.youtube.com/watch?v=obj_SyM7yS4 

On Instagram

1) Shoot a 14-second poetry film.

2) Upload it and tag us: @photogiraffelive, hashtag #WhatisaPoet? and  #14SecondPoem

E.g.: Hey @PhotoGiraffe,  here’s my contribution to the #14SecondPoem for #WhatisaPoet?

 

Rules

Submissions close at midnight on Wed 1st June 2016. All entries must be in by this time.

One entry per person.

We’ll announce the winner on Monday 6th June 2016.

What you’ll win

  • All entries will be contributing towards the ‘What is a Poet? Project, opening up a global debate, to provide a wider community of artists to get seen and heard.

 

  • 21 winners will be selected to be included in the short film, What is Poet?, to be exhibited at Poetry Festivals in the UK and abroad (locations and release dates to be announced soon).
What is a Poet? movie poster

What is a Poet? movie poster

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Abstract Elements: The Exhibition Opening Event  

9 May

The Truth, the Whole Truth and Nothing but the Truth.

Najma Hush Abstract Elements Exhibition Opening Evening

Spot the Freudian slip…

Today, we would like to do something, a little bit different. By ‘we’, I mean me – Najma Hush, one woman, who is going it alone, like so many other creative people, determined to make that critical transformation from an emerging artist, to an established artist.  Usually writing about my projects upon this blog in third person –  PhotoGiraffe – bragging about how wonderful the exhibition openings have been.  Although, they have been rather fabulous, upon reflection, I now feel that there are certain drawbacks when not openly addressing certain faults with such ‘experiments’, when perhaps if disclosed openly, it could help many other emerging artists who might be scratching there heads, wondering how to make themselves stand out from all the other wee-little chicks in this birds nest, all screaming for attention to get that juicy worm, dangling from the mouth of the giant (i.e. established galleries).  But how much honesty can I display here at the detriment of my own reputation and personal liability?  The only way to find out is by reading on and I’m kind of curious myself, as to what this write up will be like…

  The more mistakes you make, the more you learn, the more you progress.

Abstract Elements is a collection of five photographic images, currently exhibiting at The Warehouse Cafe (Please see previous post for details).  With its  exhibition opening held last Monday (5th May’14), I hosted my very own launch event inviting Poets and Musicians to platform their own skills and celebrate my latest exhibition at the Warehouse Cafe.   An award winning restaurant, located in the Friends of the Earth building (Birmingham, Digbeth), The Warehouse Cafe are a non-profit, community interest company and provide local artists, a space to exhibit.  They were interested in exhibiting a selection which would compliment their ‘Green’ ethos.  This is how we reached the mutual decision to exhibit Abstract Elements due to its connection with natureHowever, due to the small number of works and their size, this collection was not big enough to fill their walls, which is why a last minute decision was made to exhibit, Some Kind of Blue too.

Poet Performer Carys Matic Performing at the exhibition opening

Poet Performer Carys Matic Performing at the exhibition opening

Without any disillusionment about motivation, the main reasons for inviting poets and performers has always been to collaborate for cross-promotional purposes.  As a creative writer my main circle of associates have mainly been other poets.   As an emerging artist, I have little contact with buyers and in all honesty as someone who is quite new to this business, I don’t really know who they are.   As a poet I like poetry performances and this is how I generally spend my spare time.  Inviting poets to these events to perform, gives me a little more to talk about on online social platforms, other than just saying, ‘Hello world, I have an exhibition and this is the concepts behind this collection’.  The performers benefit from this collaboration, due to the platform I provide for them to showcase their talents as well as all the promotional write ups I usually do on this blog and the pictures I post on my facebook page which promote their skills by positively  reviewing their input.  Futhermore, because of their involvement, they help me spread the word about the exhibition opening events.  Sounds like a good idea in theory and here is how it is works in practice.

 Advantages:

1. It contributes to a more lively atmosphere for the exhibition opening events and adds a varying dynamic to the overall occasion.

2. It gives the (emerging artist) an opportunity to practice standing in front of an (otherwise larger) audience to host and talk to about their work publicly. 

 

Disadvantage:

1. The majority of people who will come to your exhibition opening will be the people performing who will be more keen to perform than view or provide feedback on the images you’ve displayed.

2. Your exhibition opening might be at risk of becoming more about performing art rather than the exhibited  fine art.

 

There are no failures only unexpected outcomes.

Seems like a fairly balanced assessment of advantages and disadvantage, however, the latter is what became most prominent the morning after the night before.  Post-exhibition opening, when reviewing the responses from almost all parties involved, I noticed that the main feedback I was  getting that the event that I had organised was a poetry performance event.  Other than reading performance reviews  from peoples ‘ facebook status updates’ I noticed, there was little commentary about the exhibiting images.  Furthermore, there seemed to be little mention of the fact that there was any art work displayed at all, which they the performers had initially been invited to come and respond to.  Although most performing artists (bar two), did perform along the theme of the ‘natural elements’ to tie in with the collection of the photographs, this fact became even more protruding when I noticed that even The Warehouse Cafe had posted a thank you note on their fan page to all those who came to their ‘first ever open mic night’.  (Lucky for me, I have a great sense of humor.)

 

Exhibition Opening Night of Najma Hush's  Abstract Elements:  A photography exhibition.

Exhibition Opening Night of Najma Hush’s Abstract Elements: A photography exhibition.

 Conclusion

What I have learnt from my experiences and reconfirmed in recent articles I have read about exhibiting in cafe’s and  restaurants, that they are ‘ not looking at this as an opportunity to make a commission on sales and increase their revenue – consequently, they aren’t going to have much motivation to actively promote or sell the work  (http://www.reddotblog.com/wordpress/index.php/showing-your-art-in-cafes-restaurants-banks-and-other-venues/) and as this article points out  that more than often the artist using these venues just become a commodity promoting their venue.

Naturally, nobody does anything for nothing and therefore it is the exhibiting artists responsibility to define their own outcomes from their opening events.  Also as the above referenced article points out, cafe’s and restaurants might have an interesting mailing list to attract people to the opening events, however even if The Warehouse Cafe did have this, they admitted later on that this was not a priority due to their busy schedule.  After all, to reiterate, for most cafes hosting exhibitions by local artists, their business is not art but will always primarily be food and drink with an agenda to gain more clients.

Expectation Versus Outcome

My expectations at this current stage of my career is not to make loads and loads of sales, but rather to gain exposure and a good reputation.  Reverting back to defined outcomes, I do not feel that event was a success because, I did not place enough emphasis upon the work that I had curated and exhibited.  I failed to attract a crowd of art lovers/buyers but instead curated a spectacular arts festival, which was truly magical and amazing and the hospitality shown by the venue was immaculate, however it has made me think more critically about exactly where I am at present, versus where I intend to go.  Nobody can predict or control the behavior and response of those who you collaborate with, after all we are all individuals and we all have our own expected outcomes, but what one can do, is learn from each experience by reflecting objectively and positively in order to progress.  

Najma Hush at the Exhibition opening event of Abstract Elements , courtasey of NuBi magazine who came to review the event.

Najma Hush at the exhibition opening of Abstract Elements , courtasey of NuBi magazine who came to review the nights event. (Photographed by Shahid Chohan)

How might you learn from my mistakes?

When selecting a cafe or restaurant to exhibit in:

* First and foremost, be proactive and go out to all exhibition openings so that you can gain the right contacts with people who really are interested in fine art and whom you can invite to your exhibitions.

* When choosing a restaurant or cafe, ask yourself, do you have similar values?  (i.e do they have a reputation for being a hub for the creative arts? Or will you have to compromise a great deal on what you want exhibited and also question why they are allowing you their space?)

* Ask the venue what kind of mailing list they have and how much will they can contribute to the promotion of your opening event.  If you are a proactive artist and good with social networking media, you might be doing more to promote the venue than your own work and unless you have a large network of buyers/clients this might not bother you, but otherwise I would say, choose a cafe that would promote your exhibition equally. 

 *  Find out from previous artists if they gained much feedback from the venue’s clients and if they made many sales in these spots.  Were their price margins the same as yours?

*  By all means invite performers to platform, but keep the slots short and simple, and make sure that number one: you are selective with quality performers only and number two you make it clear it’s not an open mic night which otherwise implies your events is just a-free-for-all.

*  On your opening event, make sure you rehearse a script of what you might want to say as an opening speech.  Prepare what you will say about yourself and then about the exhibiting works. Practice, practice, practice and then open up a panel discussion for questions and answers – if nobody has any questions – ask for feedback…

*  If you do not get the feedback ask for the feedback.  Don’t be shy, ask the questions. ‘What do you like about this collection?  Is there anything you do you not like about it?  What’s your most favourite and why?  What’s your least and why?’  If you find this intimidating, create anonymous feedback forms for honest criticism and advise.

 

Keep On Moving!

Whoever may be reading this article and no matter what you maybe doing with your life, I believe that if you got this far down reading this article, it’s probably because you are an artist.  Remember, no matter what genre of artist you maybe, if you are being proactive with your skills you are putting yourself out there to be judged.   Your work has to be judged and whether those judgement are a positive or negative reflection of your work, you must learn to accept the opinions of other, but still remain strong in what you believe in and let what you believe in, always be yourself!

 

Please do comment with any useful or contrary thoughts.  I am generally a student in life; I have an open mind and I’m always willing to learn.

After all that's said it was a very night and really well organised...

After all that’s said it was a really great night spent with amazing people and really well organised…

 

Abstract Elements: A Photography Exhibition

3 May

Abstract Elements, A Photography Exhibition  by Najma Hush.

 

Abstract Elements is a collection of five photographic images, representing the five most essential principles, believed in many philosophies to constitute the fundamental powers of everything.  Depending upon peoples cultural beliefs, these elements vary between fire, water, wind/air and aether, usually differing between four to five. However, no matter what you may believe these elements to be exactly, they possess different meanings for different people which can be either positive, negative, or neutral.  The images represented here have not emerged from any specific cultural philosophy, but rather are the Artist’s interpretation of such elements and are open to your personal reading.

 

Abstract Elements, a photography exhibition by Najma Hush.

Abstract Elements, a photography exhibition by Najma Hush.

Abstract Elements is currently on exhibition at, The Warehouse Cafe, (54-57 Allison St, Digbeth, Birmingham. B5 5TH. UK) from the 5th May – 1st June 2014, with a exhibition opening night dinner planned on the Bank Holiday Monday at the restaurant.  Check out the event’s page and if you are around come along and join the fun.  There will live performances from Poets and Musicians to fit in with the theme of the exhibition.  Here! Click on the link and check out the facebook events page to see who is going:  https://www.facebook.com/events/1472489166301598/ and also stay tuned for the next post and we’ll let you know all the gory details on  the opening of this exhibition.

Realities of Living, With Fiction Online

4 Jun

First released in 2007, A Life of Recluse is still the only interactive hypertext fiction that combines literature with digital imagery, sound and music. Available now online, free for all reading enthusiasts.

 stickypostnet

Back in 2007 Najma Hush, the author of A Life of Recluse, published a story as HTML.   Back then it was the first interactive hypertext fiction to combine literature with still and video imagery, including sound and music.  Now, once again, six years later being released on wordpress, it still is. 

 

A Life of Recluse is an audio, visual literary book, which has been especially created for the web and made available for all new media junkies, interested in experimental writing.   Progressing as nonlinear, its narrative is composed through the medium of 78 nodes.  This short and technologically speaking, quite simple hypertext fiction tells a complex and enigmatic tale about race, culture and the struggle to affirm ones personal identity.  

 

Set in 1997, Lowestoft; Britain’s forgotten seaside town, this is a dark and disturbing story about five friends, each from different national and cultural backgrounds, who are ‘allowed to be free, yet not free to be allowed‘.  To challenge the notions of individuality and personal identity, the author seeks to explore various cultural and personal constraints through the lives of each of the characters and reveal what they are prepared to risk and lose in order that they may gain their personal freedom.

 

Be prepared to feel slightly uncomfortable, disorientated and sometimes disturbed.  But remember turn on the computer’s speakers or plug in headphones to hear the sound, as you navigate the text by clicking hyperlinks and image-maps.

 “This hypertext fiction had always been created to be self published online.  I wanted to share a new media, creative arts experiment, composing a unique literary form.  But since having taken the HTML offline, I had always intended to re-publish the fiction at an online source where these artistic contributions, would never be lost.  I hope it may be read and appreciated by many for years to come.  The beauty of using self publishing tools like WordPress, means I can share my work for free, just because I believe I have something universal to communicate in a unique way and I would like people to read it.”  – Najma Hussain on online self publishing tools.

Read Hypertext Fiction A Life of Recluse .

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