Poetography Exhibition – Najma Hush

13 Nov Walsall Arts Fest '14, Wheatsheaf Pub, Walsall.

So your first ever exhibition as a Visual Literary Artist was a complete and utter disaster and here’s why….

Walsall Arts Fest '14, Wheatsheaf Pub, Walsall.

Walsall Arts Fest ’14, Wheatsheaf Pub, Walsall.

Where was this exhibition?

Organised and curated by Carolyn Bayliss, as part of the Walsall Arts Fest 2014, I was given three slots over, ‘3 days in November’ at an artistic venture held at The Wheatsheaf Pub in Walsall, which I completed last weekend just gone (7th, 8th,9th’ November),  representing a novel Art form that I have been experimenting with for around  two and a half years now.  It’s a genre I have termed, ‘Poetography’, as this is the only word that can simply describe the process of creating this unique form of art, when combining poetry with photography.

What on earth were you exhibiting?

Please note that the unique form of art that I am referring to as Poetography, is by no means new or unique solely to myself, as the first ever photographically illustrated book with prose was called, ‘The Pencil of Nature’  by William Henry Fox Talbot, which was published in six instalments, dating as far back as 1844 to 1846.  To name countless others photographic books published with text, Firths, Egypt and the Holy Land (1857) Gardner’s Photographic Sketchbook of the War (1856), Annan’s, The Old Closes and Streets of Glasgow, (1872).  Though specific to this particular topic, these historical works cannot be deemed as Poetography as they do not combine Poetry with Photography.

More specific and closest to the term ‘Poetography‘, latest poetry books such as Thom Gunn’s Poems in Positives, accompanied by photographs by his brother Andres Gunn, as well as the highly avant garde, Distance and Proximity with poems by Thomas A Clarke, photographs by Owlen Shone, which are presently the only poetry and photography art books available online or in leading bookstores – the most prominent being, Paul MuldoonPlan-B.  In great contrast to these literary works stands the first ever self proclaimed Poetographer, Ron L Zheng, who combines Tanka poetry with Monochrome photography of nature and with such aesthetic perfection, that as well as having toured exhibitions around the globe, he has had a printed publication of his entire collection called ‘Leaving my found Eden’.   Furthermore, although there appears to be only a few self published ‘Poetography’ books available online, various other experimental forms of poetry (particularly as visual literature) are being thoroughly researched by the school of humanities at Dundee University; the programme led by Professor Andrew Michael Roberts, is called ‘Poetry Beyond Text: Vision, Text and Cognition‘ and has been funded by the Arts & Humanities Research Council since 2009.

With a fair few facts and brief outline of some history into what I refer to as being Poetography, when touching upon its avant garde status up till the present date, one would have some profound cheek to proclaim oneself as the first ever Poetographer, however ‘Poetography’ is still not a term that is so widely used, which is why it also sounds so terribly odd.  However, I insist and without any pretentions that ‘Poetography’ is the natural phenomenal result occurring when poetry is combined with photography to create a unified narrative.

How I got into Poetography is neither here nor there, I simply write poetry as I am a Poet and over the past couple of years, I @YouTubehave been practicing how best to combine a few of my own poems with some of the photographs I have accumulated whilst working as a photographer.  What I intend to achieve by combining poetry with photography, is to create comprehensive narratives between poetic verse and symbolic imagery which is understood by its audience through a particular cognitive process that I am currently unaware of – but which,  I am able to experience in the work I have thus produced.

Now that might sound rather illusive, however if I put it into simple terms, you would understand that my primary goal when creating the Poetography I have to date, is to experiment using psychological trickery to induce mind altering states.  To describe some of the ways I attempt to do this is through the use of symbolic imagery, preferring to create videos in which I can animate and flash the imagery along with the words, then fusing the two together with ambient music by underground artists and have also dubbed a few even further with subliminal voiceovers.  I am particularly interested in combining the Poetographs with Binaural Beats which are scientifically known to induce alternate brainwave activity depending on the varying right and left hemisphere frequency pitch that the beat omits (i.e Beta, Alpha, Theta, Delta, Gamma brainwaves are induced when listening with headphones).  Some of these videos must come with a warning as they could induce not only brainwaves but also seizures, if the participant was epileptic or labour if the participant was pregnant.

So what the hell happened?

Without glamorising the dangers of these pieces any further, the works thus produced has been created to cause a deep cognitive impact and I believe they are rather powerful.   Having used my own research I have created a visual literary art form to be experienced at a sensory level including the audio senses.   Regardless of this, it is sufficient to say that my first exhibition as a Visual Literary Artist failed miserably.  There are several colliding factors for this which I have mainly put down to; my own deficiency of experience in exhibiting such works, the location and setting of the event, combined with lack of support from the organiser and terrible audience participation.

Wheatsheaf PubAlthough The Wheatsheaf Walsall is a lovely pub, which has apparently been home to a whole host of celebrity musicians, in terms of my own work, these Poetography videos were played at the end of the bar on a television screen, despite there having been an isolated room allocated kindly by the manager of the pub, this room had not been utilised by the organiser and curator of this festival, upon the grounds of poor audience participation at the overall event. Despite having been given three, thirty minute slots across three days I was only allowed to play the movie at the end of the bar for two days except on the Saturday when they had the football on.   In the end, I was given one 10 minute slot out of the entire three days to give a short presentation filmed on camera for the Walsall Arts Fest youtube channel explaining my work whilst it played behind me on a 36” TV screen at the end of the bar.  It became evident to me by the second day that my work was not appropriate in this setting and environment, nor for this audience and neither had it been appreciated, for when inquiring about the matter of my allocated slots and the empty room upstairs with the curator of the festival I was told (in front of whatever audience had attended (mainly the participatory artists)) that I was not a priority nor a main focus of this event, that I was being very demanding and was only on the Walsall Arts Fest programme because I ‘was local’ furthermore I received much more negative criticism that might be a little unprofessional of me to retort on my artists blog.  Admittedly this rather sever treatment from the person who had invited me to endure this festival taught me a short and fast lesson upon the subject of humility.

Despite this disastrous and slightly uncomfortable experience, I bit the bullet; made my needs very clear and thereafter I showed up to participate for the entire event.  And it would have been through gritted teeth were it not for my personal and professional integrity to complete any task I set out to do as well as my love of creation and crazy artists, several of whom I got to know and learnt about their work.  I have taken several photographs documenting this event which you can view further along this article.

Where will you go from here with Poetography?

What I have also learnt is that the work I am producing is highly sophisticated and as later admitted by the curator/organiser ‘quite high brow’.  It is not only innovative in its format but its distinctly sensory audio and visual properties require its showcasing to be in a solitary area where it can be projected on either a small screen in a small booth with headphones or upon a large wall in a blackened out silent room whilst playing at full volume for a totally immersive experience.  Had it not been for this event I might not have learnt how important this was and this is how I will exhibit them (as instillations) in the near future.

How has this experience helped you evolve your concept?

The mere experience of how disengaged this exhibition was and the lack of support I gained at this festival from its organiser has made me realise how important finding the right people to collaborate with is, as well as finding the right audience – which does exist, as research into recent activities upon this field has indicated academic, literary and artistic findings.  Naturally, I do expect and do not mind the ridicule that I have thus received.  Instead, I take all the feedback on board just as I would the positive feedback received regarding my endeavours.  But as explained no matter how old this art form may seem, it is still relatively very new.  Poetry beyond text is an area still under development and with an intention to push an arts movement in the direction of Poetography, it is not to say that Poetography is the future of poetry but that such Visual Literary Art is still under negotiation with its experimenting creators and with the marginal few who are closely examining its development.   This opportunity however disastrous on the outset gave me great motivation to revisit my entire video graphic collection which has up till now been shared on and through my youtube channel (@Najma Hush)  taking on board all the constructive criticism I had obtained from various viewers, I recreated and improved all these videos again for display at this event.  This reinvention of my old work has brought the standard of all existing Poetographs by Najma Hush and PhotoGiraffe to a considerably high standard and I now have much clearer ideas of how the work should be displayed and of its primary function.

I would say that being part of the Walsall Arts Fest has contributed to the evolution of the emerging arts movement I am passionately working towards establishing and to endure a little bit of ridicule along the way can add an even greater charm and integrity to an already gregarious character, such as I.

What else did you learn?

Najma HushI learned that the most important trait for any emerging artist is to develop such a strong internal point of reference that there is not any kind of criticism, good nor bad that will detract you from your goals.  If you, as an emerging artist are clear upon your goals but detached from the outcome, you will learn more from each and every experience that will help you to develop not only your work, but also your primary asset, which is yourself!

Furthermore I would stress that the most interesting people are always the ones with most varied interests and the people with most varied interests are the ones who listen more to others and with an open mind, than they talk about themselves, hence the reason I will now share with you a brief photo documentary about the people I met upon my short and agonising journey at the Walsall Arts Fest 2014 and what I learned about them.

Najma Hush’ Exhibition at the Artwork Cafe

18 Aug

Here is the short promotional video filmed by Nu:Bi Magazine at the Artwork Cafe for their Arts and Culture section on the Nu:Bi Hub, youtube channel, covering a short feature on my latest exhibition.  Check it out!

 

Najma Hush’s exhibition is on at Artwork Cafe, (4 Temple Square, Edbaston, Birmingham. UK) from 4 th August – 24th September.  Currently showing five pieces from Female Force and three from Abstract Elements for a limited period only; this exhibition is due to change after only three weeks, when the exhibiting artist, Najma Hush will change the showcase displaying further works from various other collections.

Exhibition at Art Work Cafe

10 Aug

Many thanks to Nu:Bi Magazine, who came down to the ArtWork Cafe in Edbaston last week to take a look and find out more about my latest exhibition there and who also filmed a short promotional video about the exhibition for their youtube channel, The Nu:Bi Hub to be released very soon …so excited and can’t wait to share it.  In the meantime check out these photographs :

Images courtesy of NU:BI Magazine who filmed a short promotional feature on my latest exhibition @ Artwork Cafe. Photography by Shahid Chohan.

Najma Hush’s exhibition is on at Artwork Cafe, (4 Temple Square, Edbaston, Birmingham. UK) from 4 th August – 24th September.  Currently showing five pieces from Female Force and three from Abstract Elements for a limited period only; this exhibition is due to change after only three weeks, when the exhibiting artist, Najma Hush will change the showcase displaying further works from various other collections.  Stay tuned for the promotional video by Nu:Bi Magazine to be released on The Nu:Bi Hub youtube channel, within just a few days…

 

Abstract Elements: The Exhibition Opening Event  

9 May

The Truth, the Whole Truth and Nothing but the Truth.

Najma Hush Abstract Elements Exhibition Opening Evening

Spot the Freudian slip…

Today, we would like to do something, a little bit different. By ‘we’, I mean me – Najma Hush, one woman, who is going it alone, like so many other creative people, determined to make that critical transformation from an emerging artist, to an established artist.  Usually writing about my projects upon this blog in third person –  PhotoGiraffe – bragging about how wonderful the exhibition openings have been.  Although, they have been rather fabulous, upon reflection, I now feel that there are certain drawbacks when not openly addressing certain faults with such ‘experiments’, when perhaps if disclosed openly, it could help many other emerging artists who might be scratching there heads, wondering how to make themselves stand out from all the other wee-little chicks in this birds nest, all screaming for attention to get that juicy worm, dangling from the mouth of the giant (i.e. established galleries).  But how much honesty can I display here at the detriment of my own reputation and personal liability?  The only way to find out is by reading on and I’m kind of curious myself, as to what this write up will be like…

  The more mistakes you make, the more you learn, the more you progress.

Abstract Elements is a collection of five photographic images, currently exhibiting at The Warehouse Cafe (Please see previous post for details).  With its  exhibition opening held last Monday (5th May’14), I hosted my very own launch event inviting Poets and Musicians to platform their own skills and celebrate my latest exhibition at the Warehouse Cafe.   An award winning vegetarian and vegan restaurant, located in the Friends of the Earth building (Birmingham, Digbeth), The Warehouse Cafe are a non-profit, community interest company and provide local artists, a space to exhibit.  They were interested in exhibiting a selection which would compliment their ‘Green’ ethos.  This is how we reached the mutual decision to exhibit Abstract Elements due to its connection with natureHowever, due to the small number of works and their size, this collection was not big enough to fill their walls, which is why a last minute decision was made to exhibit, Some Kind of Blue as a surprise feature.

Poet Performer Carys Matic Performing at the exhibition opening

Poet Performer Carys Matic Performing at the exhibition opening

Without any disillusionment about motivation, the main reasons for inviting poets and performers has always been to collaborate for cross-promotional purposes.  As a creative writer my main circle of associates have mainly been other poets.   As an emerging artist, I have little contact with buyers and in all honesty as someone who is quite new to this business, I don’t really know who they are.   As a poet I like poetry performances and this is how I generally spend my spare time.  Inviting poets to these events to perform, gives me a little more to talk about on online social platforms, other than just saying, ‘Hello world, I have an exhibition and this is the concepts behind this collection’.  The performers benefit from this collaboration, due to the platform I provide for them to showcase their talents as well as all the promotional write ups I usually do on this blog and the pictures I post on my facebook page which promote their skills by positively  reviewing their input.  Futhermore, because of their involvement, they help me spread the word about the exhibition opening events.  Sounds like a good idea in theory and here is how it is working in practice.

 Advantages:

1. It contributes to a more lively atmosphere for the exhibition opening events and adds a varying dynamic to the overall occasion.

2. It gives the (emerging artist) an opportunity to practice standing in front of an (otherwise larger) audience to host and talk to about their work publicly. 

 

Disadvantage:

1. The majority of people who will come to your exhibition opening will be the people performing who will be more keen to perform than view or provide feedback on the images you’ve displayed.

2. Your exhibition opening might be at risk of becoming more about performing art rather than the exhibited  fine art.

 

There are no failures only unexpected outcomes.

Seems like a fairly balanced assessment of advantages and disadvantage, however, the latter is what became most prominent the morning after the night before.  Post-exhibition opening, when reviewing the responses from almost all parties involved, I noticed that the main feedback I was inadvertently getting and the general message that had been sent out to the world  was that the event that I had organised was a poetry performance event.  Other than reading performance reviews  from peoples ‘ facebook status updates’ I noticed, there was little commentary about the exhibiting images.  Furthermore, there seemed to be little mention of the fact that there was any art work displayed at all, which they the performers had initially been invited to come and respond to.  Although most performing artists (bar two), did perform along the theme of the ‘natural elements’ to tie in with the collection of the photographs, this fact became even more protruding when I noticed that even The Warehouse Cafe had posted a thank you note on their fan page to all those who came to their ‘first ever open mic night’.  (Lucky for me, I have a great sense of humor.)

 

Exhibition Opening Night of Najma Hush's  Abstract Elements:  A photography exhibition.

Exhibition Opening Night of Najma Hush’s Abstract Elements: A photography exhibition.

 

Conclusion

What I have learnt from my experiences and reconfirmed in recent articles I have read about exhibiting in cafe’s and  restaurants, that they are ‘ not looking at this as an opportunity to make a commission on sales and increase their revenue – consequently, they aren’t going to have much motivation to actively promote or sell the work  (http://www.reddotblog.com/wordpress/index.php/showing-your-art-in-cafes-restaurants-banks-and-other-venues/) and as this article points out  that more than often the artist using these venues just become a commodity promoting their venue and this case, even the performers that were invited.

Naturally, nobody does anything for nothing and therefore it is the exhibiting artists responsibility to define their own outcomes from their opening events.  Also as the above referenced article points out, cafe’s and restaurants might have an interesting mailing list to attract people to the opening events, however even if The Warehouse Cafe  (as initially claimed) did have this, they admitted later on that this was not a priority due to their busy schedule.  After all, to reiterate, for most cafes hosting exhibitions by local artists, their business is not art but will always primarily be food and drink with an agenda to gain more clients.

Expectation Versus Outcome

My expectations at this current stage of my career is not to make loads and loads of sales, but rather to gain exposure and a good reputation.  Reverting back to defined outcomes, I do not feel that event was a success because, there was not enough emphasis upon the work that I had curated and exhibited post event.  I failed to attract a crowd of art lovers/buyers but instead curated a spectacular performance arts festival, which was truly magical and amazing and the hospitality shown by the venue was immaculate, however it has made me think more critically about exactly where I am at present, versus where I intend to go.  Nobody can predict or control the behavior and response of those who you collaborate with, after all we are all individuals and we all have our own expected outcomes, but what one can do, is learn from each experience by reflecting objectively and positively in order to progress.  

Najma Hush at the Exhibition opening event of Abstract Elements , courtasey of NuBi magazine who came to review the event.

Najma Hush at the exhibition opening of Abstract Elements , courtasey of NuBi magazine who came to review the nights event. (Photographed by Shahid Chohan)

How might you learn from my mistakes?

When selecting a cafe or restaurant to exhibit in:

* First and foremost, be proactive and go out to all exhibition openings so that you can gain the right contacts with people who really are interested in fine art and whom you can invite to your exhibitions.

* When choosing a restaurant or cafe, ask yourself, do you have similar values?  (i.e do they have a reputation for being a hub for the creative arts? Or will you have to compromise a great deal on what you want exhibited and also question why they are allowing you their space?)

* Ask the venue what kind of mailing list they have and how much will they can contribute to the promotion of your opening event.  If you are a proactive artist and good with social networking media, you might be doing more to promote the venue than your own work and unless you have a large network of buyers/clients this might not bother you, but otherwise I would say, choose a cafe that would promote your exhibition equally. 

 *  Find out from previous artists if they gained much feedback from the venue’s clients and if they made many sales in these spots.  Were their price margins the same as yours?

*  By all means invite performers to platform, but keep the slots short and simple, and make sure that number one: you are selective with quality performers only and number two you make it clear it’s not an open mic night which otherwise implies your events is just a-free-for-all.

*  On your opening event, make sure you rehearse a script of what you might want to say as an opening speech.  Prepare what you will say about yourself and then about the exhibiting works. Practice, practice, practice and then open up a panel discussion for questions and answers – if nobody has any questions – ask for feedback…

*  If you do not get the feedback ask for the feedback.  Don’t be shy, ask the questions. ‘What do you like about this collection?  Is there anything you do you not like about it?  What’s your most favourite and why?  What’s your least and why?’  If you find this intimidating, create anonymous feedback forms for honest criticism and advise.

 

Keep On Moving!

Whoever you may be reading this article and no matter what you maybe doing with your life, I believe that if you got this far down reading this article, it’s probably because you are an Artist.  Remember, no matter genre of artist you maybe, if you are being proactive with your skills you are putting yourself out there to be judged.   Your work has to be judged and whether those judgement are a positive or negative reflection of your work, you must learn to accept the opinions of other, but still remain strong in what you believe in and let what you believe in always be yourself!

 

Please do comment with any useful or contrary thoughts.  I am generally a student in life; I have an open mind and I’m always willing to learn.

After all that's said it was a very night and really well organised...

After all that’s said it was a really great night spent with amazing people and really well organised…

 

Abstract Elements: A Photography Exhibition

3 May

Abstract Elements, A Photography Exhibition  by Najma Hush.

 

Abstract Elements is a collection of five photographic images, representing the five most essential principles, believed in many philosophies to constitute the fundamental powers of everything.  Depending upon peoples cultural beliefs, these elements vary between fire, water, wind/air and aether, usually differing between four to five. However, no matter what you may believe these elements to be exactly, they possess different meanings for different people which can be either positive, negative, or neutral.  The images represented here have not emerged from any specific cultural philosophy, but rather are the Artist’s interpretation of such elements and are open to your personal reading.

 

Abstract Elements, a photography exhibition by Najma Hush.

Abstract Elements, a photography exhibition by Najma Hush.

Abstract Elements is currently on exhibition at, The Warehouse Cafe, (54-57 Allison St, Digbeth, Birmingham. B5 5TH. UK) from the 5th May – 1st June 2014, with a exhibition opening night dinner planned on the Bank Holiday Monday at the restaurant.  Check out the event’s page and if you are around come along and join the fun.  There will live performances from Poets and Musicians to fit in with the theme of the exhibition.  Here! Click on the link and check out the facebook events page to see who is going:  https://www.facebook.com/events/1472489166301598/ and also stay tuned for the next post and we’ll let you know all the gory details on  the opening of this exhibition.

Female Force – Exhibition Opening Day

14 Apr

Female Force is the title given to a selection of photographs taken of statues by Najma Hush. These images been manipulated by the process of multi-layering, to modernise and re-present, a few and various neoclassical and classical sculptures, from the fresh perspective of a digital age. Currently exhibiting at Urban Coffee Company (Church Street,  Birmingham, B3 2NP.  UK. ), from April 6th – May 3rd 2014). 

 

 

Urban Coffee Company is a rather sophisticated cafe in the metropolis of Birmingham.  Not only do they boast great coffee, good enough to sate any coffee snobs passion, but they also hold many different live events.  Furthermore, their cosy upstairs arena , consistently rotates fine art and photography by artist from the city, which is organised by Alexandria Art, who provide exhibiting platforms for emerging  artist in various location around the city.   weblink - exhibition details

With the exhibition open day for Female Force, held last Saturday (12th April’ 14), Najma Hush hosted her very own launch event, having invited Poets and Musicians to also platform their own skills and celebrate her latest solo exhibition. Here is a short review, recording the events proceedings, including photographs of the poets and musicians who came to support this event with further links to their works, to make it easier for you to find them.

Guests at Female Force by Najma Hush

As the guests gathered.

The event started off with a small crowd and moved at a slow pace, fairly early for any Saturday morning,  but as the event proceeded more and more people joined to contribute a buzz to the initial relaxed atmosphere.  The show commenced, with a brief introduction from the artist about herself and the concept behind the exhibition, before she passed over the duty of hosting to Andrea Shorrick, a local poet and performer herself, who introduced the first public speaker, Kathryn Day from Women’s Networking Hub.  This organisation had shown much support for Hush’s exhibition open day, by promoting it through a lot of their internal sources, due to the close work they do with all kind of women in enterprise, connecting women with other women and essentially building a strong network of associations.    They also work closely with Malala Yousafzai to gain funds for her projects to eradicate social/gender inequality and so  Hush invited them to  invite the women present, to join their network.

Najma Hush

Poet and Photographer, Najma Hush at the exhibition opening of Female Force.

 

The first poet to perform was Dani Papamaximou from Greece,  who recited her own touching poems, translated from her native tongue to English.  With some dark overtones, her work was mainly refreshing and  light sharing personal experiences as a women.

Next up, a very talented poet and artist from Walsall, Neth Brown who shared a melancholy poem about her mother and experiences on the theme of gender traditions and female sexuality from the point of view of a young lesbian.

Nina Lewis,  was the following act, a Worcestershire poet who had actually written poems especially to go with Hush’s images.  Her poems were as impressive as usual as showed her dexterous skill with language. 

Next up was Sammy Joe, who humorously insisted on taking her coffee on stage, swigging and spilling it in a sleepy haze. But even before she had finished reciting her very short, blunt and feisty poem, in a fashion that was no less than fierce, she had trotted off again, sleepily leaving the audience wide awake and hungry for more.

The crowd was then greeted by the colourful personality of Saleha Begum, a poet and artist decisively stating that she would be reading her most intense works, from her book, Raptures and Fragments, which she did!

As the crowd deserved ‘A Pick Me Up’ after such intensity, that’s exactly what they got with Aysha Begum’s poem, ‘Just a Little Pick Me Up’, a poem which is also an entry in this years round two of Pangaea Poetry Slam.  

And just before the interval, Andrea Shorrick  left the crowd holding their breath during her performance, when she began to undress, stripping away her clothes solemnly, wrapping herself up in a street no entry banners and smearing her face with yellow paint as she recited her poem on domestic abuse.   

Open day of Exhibition Female Force

Najma Hush – Meeting and Greeting Guests

During the interval it seemed that a lot more people had woken up and the place became more alive with people.  The atmosphere was buzzing as the crowd was led back into the second half, where Najma Hush opened the show, reciting her own epic poem on social equality for women, just before she introduced the musical act for the event a very talented young singer song writer,  Jane James.  Her voice is emotive and she can switch her pitch going from smooth to boom!   

Jaden Larker, otherwise known as   Seasick Fist, who was also a speaker for TEDxBrum on International Women’s day (2014), was the only man who had been brave enough to perform his views on women, with his confident delivery,  he certainly knows how to keep the crowds attention.

With a hard act to follow, next up was Andrea Shorrick, only this time as her ultra ego,  Swingerella, with stories from her bed, which included chocolate hearts, pink bunnies, vodka in a tea pot and box of sugar puffs, to name…just  a few things.  It was meant to be funny, but again, the audience were holding their breath…

It was also a great pleasure to see and hear, Jasmin Gardosi perform her poem sultry poem on lesbian love and love bites. Gardosi is also a TEDxBrum speaker (2014) and she runs the official Poets Place.

And to close the show in class one of the final special guest was, Charlie JordanBirmingham Poet Laureate (2007 ) – representing our city –  with some groping poetry, in a style, solely unique to her.  The event then came to a close with the first ever Female poet laureate of Birmingham, Julie Boden and current Poet in residence at Symphony Hall who wowed the crowed with 10 minutes of such beautiful poetic magic.

Here are the photographs of all the above performers:

 

Female Force

8 Apr

 

Female Force is the title given to a selection of photographs taken of statues. These images have been manipulated by the process of multi layering, to modernise and re-present a few and various neoclassical and classical sculptures, from the fresh perspective of a digital age.

Although this set has not been created in any attempt to be authentic in its artistic content, it appreciates beauty making accessible elite works in art, otherwise unobtainable as the ideological emphasis is upon ‘possession’ (based upon John Bergers theories in his book Way’s of Seeing (1972) ).

Each piece displays a keen interest to celebrate femininity and the female form, as Najma Hush offers a short interpretation on womanhood through the study of sculptures and in doing so, she presents the female archetypes that have inspired artists to create; images that have been repeated again and again and ones we still see and know in our society. What’s most interesting about Female Force is that these archetypes are still recognisable and ideals that we in society, still aspire to posses.

Female Force is only on exhibition at Urban Coffee Company from the 6th April to the 5th May 2014 in association with Alexandria Exhibitions.  All prints are limited editions, as no more than 25 will be produced of each one. Also, each piece comes with a unique certificate of authenticity signed, numbered and dated by the artist. For further info  or to purchase, please email Najma on photogiraffe@live.co.uk.

Female Force by Najma Hush

The official open day for the exhibition will be held at Urban Coffee Company on Saturday 12th April at 11am – 1.30 pm with live performances from poets and musicians, so stay tuned here to read more about that event …

 

 

Diverse Dancers – Exhibition Soiree

25 Feb

a

Diverse Dancers is the title given to a large and still progressing compilation of photographs, primarily concerned with the multiplicity of varying dance traditions; a small and miscellaneous selection of which, is currently in exhibition at the ORT Cafe in Birmingham, UK (from 19th Feb – 5th Mar’14).

Housed in The Old Print Works, a grade II listed building; Ort is much more than just a cafe.  More importantly, it has become the community hub for creative art within just 2 years of being established, having gained the worthy reputation of supporting emerging artists, in the community of England’s second largest city!   With its friendly and approachable directors, Josephine Reichert and Ridhi Kalaria, who both actively assist the artists they support, Ort is the ideal place for an emerging artist, to host a first time solo exhibition.  And on Friday 21st Feb’14, that is exactly what Najma Hush did, having curated a night of art, poetry and music by hosting talented poets and musicians to share their work, which coincided with the dance theme of her exhibition.  She called this event, ‘An Exhibition for Exhibitionists’ and boy did it attract a handsome group.

Upon the night as the crowd gathered and mingled they were greeted by live music from the Jazz Pianist, Andrew Clayton, who played all original material from his Album, Bunch of Keys.  Quick to jump at an opportunity to jam, poetry performer, Carys Matic Jones joined in with her Cajón Drum, adding a beat to Clayton’s melody and giving all the guests, opportune moments to collectively convene a vibrant atmosphere.  

The show then commenced with the local poet, Adele – aka- Ddotti Bluebird, who also organises Birmingham’s much loved Word- Up.  She grabbed the crowd’s attention with her passionate urban style poetry.  However, rather surprisingly for the host, none of this Ddotti Bluebird’s songs conformed to the theme of dance.

Following on swiftly, was Adam Laws, a complete virgin to performance poetry, who nevertheless, won the crowd over with two poems that he had written especially for the theme of this event.

But the real crowd pleaser was a musical performance by Walsall’s poet, Al Barz who had composed his own music to choreograph a special dance for a totally interactive, audience precipitation and the best thing was, everyone could do his dance sitting down, except for Barz of course (who also organises his own monthly poetry events called Purple Penumbra at the Barlowe Theatre in Oldbury).

e

Next up was what appeared to be Cinderella herself, sporting a broom and sweeping the stage, but it was in fact, Andrea Shorrick, with her own unique interpretation of dance, a delightful poem titled Prince Charming.

Also come to take part and show her support was Jude Ashworth, a long and withstanding member of Writer Without Borders as well as being the organiser of Erdington Writers held twice a month at Erdington Library, she swayed and swooned the audience with her dance poetry.

After that, the crowd was gregariously greeted by the enormous personality of  Ian Henery, the Mayor of Walsall’s Poet Laureate for three consecutive years and author of Batman (Thynk Publications).  Amongst a few other dance poems, Henery, performed his poem written especially for Diverse Dancers called….Diverse Dancers and also read Rudyard Kipling’s,  The Plea of the Simla Dancers. Not before however, he likened the talent of the first halves performers, to our Nation’s favourite poet, Kipling and was ignominiously heckled for it by an otherwise anonymous heckler, who rowdily disagreed.

Another member of Birmingham’s highly esteemed group, Writers Without Borders and author of Blonde Grass (Thynk Publications), Olufemi Abidogun also graced the stage with his own magical poetry on the subject of dance.

Just before the interval, the closing act for the first half was the third and final member of Writers Without Borders.    It was none other than, Tessa Lowe herself, who also hosts her own poetry events at Ort called Poets with Passion.  Lowe charmed the crowd with her charismatic, Maybe Baby dance poem, as well as sharing an enchanting poem, celebrating the ‘beauty’ of Birmingham’s, not-so-prevaliged, Balsall Heath (the location of Ort Cafe and hence the exhibition).

d

To kick start the second half, Carys Matic Jones opened the proceedings with her musical act.  Normally performing with her band, Jones was joined with improvisations from Andrew Clayton on Keyboard, as she multi-tasked her rhythmic recitations to the beat of her new Cajón Drum, which proved to be a very delightful and an engaging experience indeed.

A hard act to follow, which certainly she did do and without any exceptions, it was Nina Lewis.  An ex-dancer herself, Lewis claimed that she had been directly inspired by the Photographs exhibited.  Her poems not only dealt with the beauty of the art form, but also explored the darker more painful side of dance, that we as voyeurs often forget when watching this graceful art form.  Needless to say, all three of her poems were very strong.

It was also a great pleasure to see, popular storyteller, Kate Walton – Aka – Story Tramp (nominated for outstanding newcomer at the BASE Awards, ((British Award for Storytelling Excellence)) 2013.  She captivated and simply mesmerised the audience, with her rhythmic tale of a Sufi whirling dervish’s.

Birmingham Poet Laureate 1999/2000, Simon Pitt also made a special guest appearance with his slightly eccentric performance. One act of which, he threw things at the audience in a fit of rage.  It was a rather convincing temper tantrum and nothing like I’ve ever seen in my life, so I’m glad to have finally had such a frightful experience, whilst in such a friendly environment. It wasn’t all gloom and doom of course as Pitt soon lightened the tone offering the crowd a brighter side to his sense of humor.

It was a pleasure to become acquainted with Lorna Meehan s work, especially as she had just come off her first poetry tour with England and Scotland’s leading poetry organisation, Apples and Snakes .  Her act was a real delight.  Rumour also has it, that Meehan is presently preparing to be the world’s first hula hooping performance poet…

c

A local poet, Max Jalil who rarely ever shares his work, shyly decided to pluck up his courage and read his witty poems on the subject of his horrendous dance antics, which is something that he is rather notorious for on the clubbers scene.  After having seen both of his talents, one would probably suggest that Jalil gives up dance and takes up poetry instead – as his poem really was rather good.

Najma Hush also shared two short and sweet poems before passing on the mic to none other than yet another poet laureate.  It was Roy Mcfarlen (Birmingham, 2010/2011), who had come to show his support for Hush’s events once again.  The enigmatic Mcfarlen who never fails to delight a crowd of poetry lovers drew the perfect close to an almost perfect night, as the host called the show a rap and let the crowd loose to get closer to view her work and stay around to chat and indulge in a few more drinks.     

Here are some more photographs to get you better acquainted with all the performers who came along… and look out for the uploads from Pat the Bull Films who kindly filmed that night’s events to broadcast to the world … after all…these open exhibition soiree’s aren’t titled, ‘Exhibitions for Exhibitionists’ for nothing, you know.

Diverse Dancers: I

20 Feb

Najma Hush’s, Diverse Dancers is the title given to a  large and ever expanding compilation of photographs, primarily concerned with the multiplicity of varying dance traditions, unique to a variety of different cultures and subcultures.

This collection has been produced with a keen interest in the grace of dancer’s movements and seeks to reveal the eloquence of each pose, jump, spin and lift.  As this project expands and develops, Hush seeks to come closer to interpreting and presenting the exceptional language of bodies that never lie.

Diverse Dancers Part I:   An Exhibition for Exhibitionists, with Art, Poetry and Music.

Diverse Dancers Part I:
An Exhibition for Exhibitionists, with Art, Poetry and Music.

Presently, a small and miscellaneous selection from this collection is exhibiting at ORT Cafe, Birmingham, UK (19th Feb-5th Mar 2014).

Look out for the next post on Diverse Dancers, where you can view the photographs from the open exhibition night and get better acquainted with all the amazing performers who will come to support this event, whilst also exhibiting their own amazing talents.  After all, these open exhibition evening’s  aren’t titled ‘Exhibition for Exhibitionists’ for nothing you know.

If you are a dancer or a dance company who would like to get involved and help expand this project, with a view to have an exhibition of your work interpreted as still images by the artist, then contact Najma Hush on photogiraffe@live.co.uk.

Some Kind of Blue Exhibition Soiree

15 Oct
Opening of Exhibition evening, with Art, Poetry and Music

Opening of Exhibition evening, with Art, Poetry and Music

We have some exciting news!   Najma Hush is currently Artist in Residence at Fine Art Gallery, Arts 4 Art Sake at the Custard Factory in Birmingham.   Recently she opened her first exhibition called, Some kind of Blue,  a collection of fine art photography;

‘…concerned with the manifest content of our dreams (or to put it simply, elements of our dreams that we remember upon awakening).  Inspired by the work of psychoanalyst, Sigmund Freud, who in his book, The Interpretation of Dreams, suggests that the content of our dreams are related to wish fulfillment; as he believed that the manifest content of a dream, or the actual imagery and events of the dream, serve to disguise the latent content (or the unconscious wishes) of the dreamer.  Thus, the photography presented in Some Kind of Blue, is directly symbolic of the thoughts, desires and images which may manifest from (your own subconscious) within your own dreams, with the poetic emphasis  ingrained in every metaphoric title for each individual piece.’  ~ Najma Hush

For the open evening of the exhibition, Hush curated a night of art, poetry and music by hosting performances in line with the theme of ‘Dreams’,  in keeping with her exhibited collection.  In a nut shell, here is what happened:

Maqsood Qazi , the director of Arts 4 Art Sake, fine art gallery, sponsored the opening exhibition of,  Some Kind of Blue by this emerging artist. Held at their premises, Arts 4 Art Sake provided all the food and drink. There was enough time to admire Hush’s exhibited collection of Photography, Some Kind of Blue and view all of the other art work at the gallery (such as Jinxy Art, Javed Qamar, Tahir Bin-Qalandar and more), as the crowd gathered and mingled.   Unexpectedly, Mike Bongo, a local singer, song writer  requested he open the soiree with his songs written for Mental Health Awareness, although not fitting with our theme, it was allowed on an exceptional and friendly basis (because everybody deserves a chance to be heard).  It also gave us more time to welcome new guests, just before some wonderful live performances were given by a diverse amalgamation of urban voices, who put on such an entertaining show.

The real show opener was local Rapper Ali Mardi- aka- Da Wonderin Dragon, who got the crowd going with his passionate and humorous poem describing his, ‘Dream Girl’.  Following on, was a rather musical performance of poetry, by Walsall poet and performer, Al Barz who had composed his own music to crescendo his poetry. Usually and popularly known to be on keyboard,  Barz was upon this night, accompanied by an amp and his ipad.  Next up was poet, Gary Carr, who had come all the way from Burton-Upon-Trent to share some dreamy poetry from his very own, next collection of Dream poems that he had been working on.  Then there was local artist and writer, Shirley P Cooper, who came and shared her, ‘I have a Dream’ poems as well as some of her sweet, home baked cupcakes.  We were also proud to host the charismatic poet Laureate of Walsall, Ian Henery also graced the event with his presence and read some blooming great poetry too.  Next to follow was local poet,  James Walpole, who performed three brilliant poems he had written just for our ‘Dream’ themed event.   Then there was a very young and talented, Ester Turner, who sang songs from her debut album, ‘Dreams’ and blew the crowd away with her amazing voice, whilst a nice, handsome crowd, waved in and out throughout the evening to watch and support the event, which made the atmosphere very relaxed, friendly and inviting.  A special appearance from Marcia Calame added a great positive energy to the whole event – the same strong presence, that she carried into her enticing poetry performance on stage.  It was also great to introduce and announce, popular storyteller, Kate Walton had been nominated for outstanding newcomer at the BASE Awards (British Award for Storytelling Excellence), just before she shared some of her own profound poetic works.  Artist and poet, Kristina Vere-Gankaku Griffiths, came all the way from West Bromwhich to read her dreamy poems, from her debut poetry book, No Strings Attached.  Just before the final closing acts of the event which were, non other than two of Birmingham’s very own,  former poet laureates, the enigmatic  Roy Mcfarlen and the infamous  Giovanni Spoz Esposito, who closed the evenings event charmingly.   

You can see the pictures here and look out for the video promo by Pat the Bull Productions. And of-course, stay tuned to hear about more events like Some Kind of Blue when they come up again as hopefully, we look forward to exhibiting our next collection soon!
But in the meantime you can pop into Arts4ArtSake, fine art gallery at the custard factory anytime you like and check out our Art.

iamshalina

http://iamshalin5.wix.com/iamshalina

multifarious moves

philosophical... creative...

D.N.P...Dona Nobis Pacem...

Home of sound artist D.N.P

Looping Static

Situation Hopeless, but not Serious

Reel Outtakes

Let me tell you my other stories that did not and will never reach your TV screens.

Sammy Poet

"Words will safeguard the spirit eternally" -Berjouhi Bowler

Photogiraffe Live Art

Just another WordPress.com site

PRISM

Magazine

Birmingham Social Media Cafe

Meeting on the last Friday of every month

Phosphorescence1001

- Poetry by Just Another Fish in the Sea - Najma Hush © 2015

Broken Content

Writings by Saqib Deshmukh

Jayne Stanton POETRY

Poetry and comment

Weaving Yarns

Heather Wastie writes poems, songs & monologues. This blog began with her oral history project with people who worked in the carpet industry in Kidderminster.

Quiet Compere Tour 2014

Touring ten poets x ten minutes format

Three Pigs

Academia, Cinephilia & Chlamydia

st8ment-urban art

st8mentWordPress.com weblog

Simple Pleasures

Visual Poetry, Photography and Quotes

Andrew Clayton

husband. father. musician. poet. preacher.

Kate Walton

Poetry, Stories & Other Stuff

David Moore - Historian - Filmmaker

Looking at the past through the eyes of Public History

Here come the lobsters!

Writing and all that.

ABSTRACT LITERATURE

HƯỚNG TỚI MỘT CỘNG ĐỒNG VĂN HỌC SỐ VIỆT NAM

A. Stuart Williams

What if? is the most amazing question of all...

Bucket List Publications

Indulge- Travel, Adventure, & New Experiences

The Nature of Business

Redesigning organisations for resilience

PRAMUDIYA

photography inspired by films

Leanne Cole PHOTOGRAPHY

art and practice

Garyswordz

Just another WordPress.com site

Writers Without Borders

WWB Welcomes You

rednax20

Just another WordPress.com site

JigneshChauhan.me

I Flash In Public !!!

From Tuesday

- connecting dots, one sentence at a time

"me no big chief ...

the world of littleindian

Macro M

Just another WordPress.com weblog

Bluesphinx's Blog

Just another WordPress.com weblog

Wordly Wise

Musings of an infinite soul

Amazing Events of my Life that will Enlighten,hmmm well maybe just Entertain....

Poetry, Observation, just Kim's prespective on Life...That's all...

doriane raiman

www.dorianeraiman.com

WordPress.com

WordPress.com is the best place for your personal blog or business site.

Follow

Get every new post delivered to your Inbox.

Join 1,888 other followers